Brooklyn Vegan previews Casper & The Cookies’ NYC show

Brooklyn Vegan previews Casper & The Cookies’ NYC show at Cake Shop!

Casper & the Cookies are local legends in Athens, Georgia. Main man Jason NeSmith, who was in of Montreal circa Satanic Panic in the Attic…knows his way around a hook and puts more good ideas into one song than most folks do on an album…Casper & the Cookies are on a short East Coast tour and that hits NYC Saturday (4/5) at Cake Shop with fellow pop pop maven Doug Gillard and Lame Drivers. I haven’t seem them play since NYC Popfest 2009 but they were a bundle of energy then and a lot of fun.

Check it out here!

// Casper & The Cookies media page //

Boston Surival Guide features Casper & The Cookies

Boston Survival Guide features Casper & The Cookies and their new album Dingbats in advance of Tuesday’s show at O’Brien’s:

Jason NeSmith (vocals/guitar/keys), Kay Stanton (bass/vocals/keys), AJ Griffin (vocals/keys) and Gregory Sanders (drums) are currently in and/or have traveled through an impressive lineage — Of Montreal, Olivia Tremor Control, The New Sound of Numbers and Supercluster. They’ve toured with The Apples in Stereo, were Daniel Johnson’s backing band and opened for the B-52s’ 34th anniversary show in Athens…Their eerie contemplation about touring life, “Lemon Horses,” reads like a hazy, confusing dream, at some uneasy place between wakefulness and sleep.

Read the whole piece here!

// Casper & The Cookies media page //

SONG OF THE WEEK: The Bluegrass Situation features The River Monks

The Bluegrass Situation features The River Monk’s new single “Beasts” as Song of the Week:

Home Is the House, the Monks’ latest album, is a pensive, slow-rolling think piece on middle America. Especially “Beasts,” the banjo-driven single, full of gorgeous five-part harmonies, and river town mysticism. In this day and age, I’d like to think that bands like The River Monks can cut through the coastal clatter, and pave a way for other Iowan artists on a national level.

Read the whole review and download the track from The Bluegrass Situation!

// The River Monks media page //

Event: Morbid Curiositease Wheel of Misfortune

Morbid Curiositease invites you to try your hand at the WHEEL OF MISFORTUNE at The Can Can in Seattle on April 6th. Experience a night of macabre debauchery featuring celebrity contestants, special guest performers, and plenty of audience participation. Camp! Burlesque! Horror! Morbid Curiositease guarantees “more voodoo per square foot than any other gameshow”!

Celebrity Contestants:
Jesse Belle-Jones
Isaiah Crowson
Christine Anne
Boom Boom L’Roux
Sc Andal
Karmen Sutra
Jovie DeVoe
EmpeRoar Fabu Lous
LoLo Ramone

Special Guests:
L’Orchestre D’Incroyable
La Petite Mort

18+ | 7pm | VIP $20 & GA $15
Tickets

Click here for more information.

Live Buzz – Indiana Daily Student interviews Kentucky Knife Fight

Indiana Daily Student’s Live Buzz caught up with Kentucky Knife Fight before tonight’s show in Bloomington at The Bishop. The article digs deep into the band’s fascination with conflicted people and insular worlds, their method of non-linear storytelling, and their thoughts on Breaking Bad, Raymond Carver, and The Tick Tock Motel. Read the interview here!

// Kentucky Knife Fight media page //

Tour Dates: Casper & The Cookies

4/3/14 Carrboro, NC – The Station
4/4/14 Rehoboth Beach, DE – Dogfish Head Brewery
4/5/14 New York, NY – Cake Shop
4/6/14 Baltimore, MD – The Wind Up Space
4/8/14 Boston, MA – O’Brien’s
4/10/14 Philadelphia – 3rd & Girard
4/11/14 Pittsburgh, PA – Howler’s
4/12/14 Roanoke, VA – 501 Speakeasy

// Casper & The Cookies media page //

Columbia Daily Tribune features The River Monks

The Columbia Daily Tribune features The River Monks in advance of their tour stop on Sunday March 23rd:

Try not to fall hard for The River Monks. There is a sweet and sure romanticism to the folk music the Des Moines, Iowa, sextet fashions. In it, one detects the gentle spinning of the planet and gradual turning of each season. It’s not beyond imagination to think its music could serve as a soundtrack for kissing underneath a quiet galaxy of Christmas lights or to hear an approximation of how it feels to run with spring’s first blades of grass between your toes. Certain songs sound like filling the lungs with last gasps of late-summer air before the inevitable chill; others could complement scenes seen on a Sunday drive past fields of fallen leaves.

Read the whole article here!

// The River Monks media page //

Cityview interviews The River Monks

Des Moines Cityview recently caught up with The River Monks prior to kicking off a two-week tour celebrating the release of “Beasts,” the first single from their forthcoming album Home Is The House, out on May 20th.

“It’s about the subject of ‘home’ and what it means to all of us, both individually and as a band,” Stier explained. “We’ve all moved from one place to another, so really the album is kind of an exploration of what ‘home’ means to all of us. I don’t think there’s one answer.”

Whatever topic The River Monks is exploring at a given time, the band’s distinctively textual, unconventional sound is mainly the product of its songwriters. Stier and guitar/vox/uke man Nick Frampton handle most of the lyrical duties, but The River Monks has always been a bit more co-op than that.

“Everyone brings their own personality in the band,” Stier said. “Everyone’s a great musician, so Nick and I both definitely invite everyone to come put their mark on each song. No song is exactly as I pictured it when we’re done.”

The band released its first single from the album, “Beasts,” for free on Bandcamp, and now the group is gearing up for a two-week Midwest tour in support of the album’s impending release. But wherever The River Monks go, the musicians are always thinking about home.

Read the whole interview here!

// The River Monks media page //

Heartbreaking Bravery reviews Molybden 7″ “Woman Who Left Behind”

Heartbreaking Bravery reviews the new 7″ from Molybden, “Woman Who Left Behind”:

There are very few new releases that have existed decidedly outside of the punk spectrum to catch this site’s attention. Molybden’s Woman Who Left Behind found itself squarely in that category when it first came in as a submission…[Molybden’s] natural ability to command with a minimal palette is evidenced immediately with the title track that leads off the collection. Her voice is masterfully controlled, arresting and enticing all at once. There are shades of Cat Power, Feist, and Joanna Newsom inflected throughout “Woman Who Left Behind”. Using multi-track vocals and just a touch of reverb, Seipp’s slightly left-of-center lyrics gain an emphasized introspective context.

Read the whole review here!

// Molybden media page //