Nooga.com reviews Phosphene

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Nooga.com‘s Joshua Pickard reviews Phosphene‘s forthcoming Breaker EP and streams “Be Mine”

…it’s their heart and potent earnestness that really give their music a sense of its own restless creativity and a perspective that carries with it a distinctly unique approach…[‘Be Mine’] takes its cue from the grand pop rock statements of bands such as Alvvays and Interpol. Singer-guitarist Rachel Frankel’s voice glides by atop the thudding roll from the drums and the shimmering notes stretched from their guitars—it’s a lovely piece of pop music that masquerades as a dense rocker, one that gradually reveals itself only after a handful of listens.

Robin’s Music Portal features Copperfox

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Thanks to Robin’s Music Portal for spreading the word about Copperfox:

…similar to Dum Dum Girls and Timber Timbre…would love to see them share the stage with either one. Maybe even The War on Drugs. Copperfox’s drums and guitar are sparse and elegant, overlaid with lilting alto vocals like a more pensive Liz Phair…

 

AL.com recommends Those Manic Seas show

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AL.com picks Those Manic Seas‘ tour date at Copper Top Dive N Dine in Huntsville on Thursday as one of the week’s coolest events:

Richmond, Va.’s Those Manic Seas blend moody post-punk and shimmery dance-rock. As on their single ‘Outlier’ from the band’s forthcoming debut album, co-produced by Mutemath drummer Darren King. Catch TMS as edgy-funky watering hole Copper Top.

Phosphene To Release Breaker EP On April 29th

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“It was like we were breaking through something,” says Bay Area trio Phosphene’s Matt Hemmerich (drums) on their forthcoming EP Breaker. “We were writing direct, propulsive music that felt intensely cathartic.” The trio, comprised of Hemmerich, Rachel Frankel (vocals/guitar), and Kevin Kaw (bass/guitar), spent 2015 preparing their sophomore 6-song release Breaker, the follow-up EP to their S/T debut album that came out during a whirlwind 2014, garnering acclaim and generating support in the Bay Area from The Bay Bridged and The Owl Magazine (the band just played the magazine’s 10 year anniversary show), and resulting in winning free studio time from the Converse Rubber Tracks program, where the band recorded eventual EP track “Silver,” which premiered at Overblown.

They returned to the same recording studio, Different Fur Studios, on Valentine’s Day 2015 to track a second song, “Be Mine,” which premiered on The Bay Bridged and will also appear on the EP, and eventually to track the rest of the release, partnering with Sean Paulson (Tobias Jesso Jr, DIIV) for recording and mixing, and tapping Piper Payne from Coast Mastering to master the record.

Breaker, set for release on CD and digital formats on April 29th, 2016, was written during a time of severance. “Some of us were closing chapters in external relationships, which brought a clean slate mentality to the band,” says Hemmerich. Breaker is a diverse but unified pack of tunes. “For our second release, we sought a more cohesive, defined sound. The three of us got to write as a trio for the first time, so there was a natural evolution.” The melodies and instrumentation for Breaker were primarily inspired by Slowdive, Interpol, Low, and Alvvays, while the overall aim, as Hemmerich told Overblown, “is to create honest, emotive songs that we can share with others. We’re hoping to evoke something with our music”.

BREAKER TRACK LISTING
1. Be Mine
2. Silver
3. Hear Me Out
4. Rogue
5. Ride
6. Wild Decay

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John Dillon is today’s Daily Discovery on The Daily Listening

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Seattle’s John Dillon is The Daily Listening‘s Daily Discovery:

“‘Death Mask’ is a rather nostalgic mix of Joy Division-esque vocals and lush 80’s synths. In other words, this is the band you need to watch this year.”

Their debut album The Lost Estate is out on vinyl and digital formats on March 25 via Plume Records!

Songwriting Magazine premieres new Copperfox EP HAUNTS

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Copperfox‘s new EP Haunts is out Friday! Songwriting Magazine premieres the full stream today:

“We think that the end result is something very special…Our personal favourite is the D’ark remix of ‘Feel In The Void,’ with the fresh take giving it a Princess Chelsea meets My Bloody Valentine vibe.”

Seattle 5-piece John Dillon To Release Debut Album The Lost Estate

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Seattle 5-piece dream pop band John Dillon (members of Kithkin, Tomten, & friends) are preparing to release their forthcoming debut album The Lost Estate, which will be the inaugural release from new Seattle imprint Plume Records, due out on March 25th on vinyl and digital formats.

“Making things sleazy yet heartfelt was a fun, sometimes hilarious, process,” says Dillon Sturtevant, songwriter and frontman of Seattle band John Dillon, on recording the band’s debut album The Lost Estate. The album was written both before and after Sturtevant moved from the East coast to Seattle. “Being in a new place, trying to make ends meet, exploring, and encountering different people and different cultures has a way of making you hyper-aware and creative,” Sturtevant reflects. “Some of these songs I brought over to the Northwest with me, and they grew as I did.” The 11-song collection is characterized by lush production, hi-lo-fi sounds, sincerity laced with humor, humor laced with melancholy, and a melodic bent.

The Lost Estate, named as a kind of castoff reference to a French novel that has lurked in Sturtevant’s mind since he read it years ago, hazily navigates through sun-bleached remembrances. “Writing these songs, I was concerned in a very fundamental way with the almost mystical nature of passage from childhood to adulthood, and the ways in which we package up our past,” says Sturtevant. “The way we write our own stories subconsciously and earlier life’s moments become these golden-hued parables from another more mysterious, more fanciful world.”

The Lost Estate, the first release on new Seattle imprint Plume Records, will be out on vinyl and digital formats on March 25th following a cassette release late last year on Never Anything Records. The album was recorded and mixed by Andy Meyer in Seattle and mastered for vinyl and digital by Carl Saff in Chicago.

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THE LOST ESTATE TRACK LISTING
1. Prelude
2. The Fox
3. Maria
4. Holy Fool
5. Living in Sin
6. Shenandoah
7. Death Mask
8. Last Golden Age
9. Friends Like Me
10. The Lost Estate
11. You Never Call

Copperfox single “Feel in the Void” premieres on GroundSounds

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The new Copperfox single “Feel in the Void” premieres over at GroundSounds!

“Featuring haunting pop melodies over moody chord structures, Nashville based dream-pop ensemble Copperfox are gearing up for their third release, the forthcoming EP ‘Haunts.’ The project is layered with atmospheric vibes and surging synths…”

The Daily Listening song of the day is Those Manic Seas – “Outlier”

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“Outlier” by Those Manic Seas is today’s Song of the Day on The Daily Listening:

The band are heading out on a US tour to celebrate the release of their single and music video, “Outlier,” while they prepare new material for their debut full-length. Comprised of Daniel Medley, Drew Rollo, and Justin Jones in addition to the aforementioned Kilroy on vocals, this indie/art-rock fourpiece have been compared to the likes of MuteMath, The Killers and Interpol. If you’re not intrigued by now, something’s wrong.

Selective Memory Mag reviews There Is No Mountain’s album LUNA

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Selective Memory Mag reviews Luna, the new album from Portland’s There Is No Mountain:

It’s not that this album is folk rock than it is ethereal alternative forcing genres from the early ‘90s that bands like House of Love or Lush fused together…The eccentricity of [drummer/vocalist Kali Giaritta and guitarist/vocalist Matt Harmon] allow them to explore avenues of rock and pop in ways others have not…Levels are pushed and the power from these two explode. What is this monster I have ran into? How can an album that has started out as gentle as a blown leaf turn into a vivacious rock odyssey?

Exclaim! premieres Field Division’s music video for “Modest Mountains”

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Exclaim! premieres the new music video from Field Division — watch “Modest Mountains” from their Reverie State EP:

Shot during a tour to the West Coast this past November, performance footage is nicely spliced with shots of babbling brooks, sweeping vistas and waves crashing on sandy shores. The wild beauty of the band’s scenic tour route pairs excellently with the track’s flighty vocals and reverberating guitars, mandolins and drums.

Surviving the Golden Age reviews There Is No Mountain’s album LUNA

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Surviving the Golden Age digs in to There Is No Mountain‘s new album LUNA, out now from ORG Music:

There’s a ton going on with the guitars, whether they’re big and fuzzy or faint and picked, but it’s like life going on below the surface of a body of water. When the guitar is at its most intricate, it’s also at its softest volume. There are big, fuzzy chords on ‘Listening to Sadness’ and ‘Waterbound,’ but there are also soft, plucked parts hiding in there. ‘Hiking’ is one of the few songs where the guitar gets all the solos it needs to really stand out. Because inspiration was taken from so many sources, at times the guitars sound like ‘90s alternative, or Latin (think of a world music CD being played at a Ten Thousand Villages store,) or a little Renaissance Faire-esque when it gets classical, or kind of folky Americana. I’m pretty sure I even caught a touch of zydeco in ‘Black Hole (Part 2).’

Portland State Vanguard reviews There Is No Mountain’s album release show

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The Portland State Vanguard reviews There Is No Mountain‘s album release show for Luna, out now on Org Music:

Giaritta and Harmon navigated an eclectic emotional landscape of music which was at times wistful and melancholy, while at others spirited and uplifting…it captures the highs and lows of life. In a word, it feels very raw…an incredibly unique sound, but rather than coming off as pretentious, Giaritta and Harmon’s work feels eminently relatable.

That Music Magazine reviews There Is No Mountain’s album LUNA

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That Music Magazine reviews There Is No Mountain‘s new album Luna, out today from Org Music.

Luna takes us on an hour-long trip trough their souls. With complex song structures and orchestrations, the songs flow naturally and build up a crystal-clear picture of the duet’s minds and visions. Providing unique and singular expressions, the record combines sadness, with darker themes of anxiety and depression, to bubbly optimism. Relatable and honest, There Is No Mountain’s Luna is modern and unexpected.